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BROOKS: Don't forget 'Big Shaggy' in education

When the going gets tough, the tough take accounting. When the job market worsens, many students figure they can't indulge in an English or a history major. They have to study something that will lead directly to a job.

So it is almost inevitable that over the next few years, as labor markets struggle, the humanities will continue their long slide. But allow me to stand up for the history, English and art classes, even in the face of today's economic realities.

Studying the humanities improves your ability to read and write. No matter what you do in life, you will have a huge advantage if you can read a paragraph and discern its meaning (a rarer talent than you might suppose). You will have enormous power if you are the person in the office who can write a clear and concise memo.

Studying the humanities will give you a familiarity with the language of emotion. In an information economy, many people can produce a technical innovation: a new MP3 player. Very few people can create a great brand: the iPod.

Branding involves the location and arousal of affection, and you can't do it unless you are conversant in the language of romance.

People think by comparison — Iraq is either like Vietnam or Bosnia; your boss is like Narcissus or Solon. People who have a wealth of analogies in their minds can think more precisely than those with few analogies.

Finally, and most importantly, studying the humanities helps you befriend The Big Shaggy.

Let me try to explain. Over the past century or so, people have built various systems to help them understand human behavior: economics, political science, game theory and evolutionary psychology. These systems are useful in many circumstances. But none completely explains behavior because deep down people have passions and drives that don't lend themselves to systemic modeling. They have yearnings and fears that reside in an inner beast you could call The Big Shaggy.

You can see The Big Shaggy at work when a governor of South Carolina suddenly chucks it all for a love voyage south of the equator.

You can see The Big Shaggy at work when self-destructive overconfidence overtakes oil engineers in the gulf, when go-go enthusiasm intoxicates investment bankers or when bone-chilling distrust grips politics.

Those are the destructive sides of The Big Shaggy. But this tender beast is also responsible for the mysterious but fierce determination that drives Kobe Bryant, the graceful bemusement the Detroit Tigers pitcher Armando Galarraga showed when his perfect game slipped away, the selfless courage soldiers in Afghanistan show when they risk death for buddies or a family they may never see again.

The observant person goes through life asking: Why did he or she act that way? The answers are hard to come by because the behavior emanates from The Big Shaggy.

Technical knowledge stops at the outer edge. If you spend your life riding the links of the Internet, you probably won't get too far into The Big Shaggy either, because the fast, effortless prose of blogging (and journalism) lacks the heft to get you deep below.

But over the centuries, there have been rare and strange people who possessed the skill of taking the upheavals of thought that emanate from The Big Shaggy and representing them in the form of story, music, myth, painting, liturgy, architecture, sculpture, landscape and speech. These men and women developed languages that help us understand these yearnings and also educate and mold them.

They left rich veins of emotional knowledge that are the subjects of the humanities.

It's probably dangerous to enter exclusively into this realm. But doesn't it make sense to spend some time in the company of these languages — learning to feel different emotions, rehearsing different passions, experiencing different sacred rituals and learning to see in different ways?

If you're dumb about The Big Shaggy, you'll probably get eaten by it.

THE NEW YORK TIMES

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