We're starting right off with good news. Matthew Weiner, creator and driving force behind AMC's Emmy winning "Mad Men," has signed a deal to continue writing and producing the stellar show.
The word came early this week, and that's happy tidings for fans of one of the most original and addicting shows in recent years.
Weiner is one of the good guys in Hollywood, and AMC and producing partner Lionsgate are among the more respected TV and studio entities, but negotiations were touchy at times, according to reports.
"Mad Men," set amid the doings on Madison Avenue in the early 1960s, is a masterpiece of intriguing characters, nostalgia, nuanced acting and muscular writing.
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It had been scheduled to start its third season in the summer, with or without Weiner, but it's hard to imagine the series working as well without him.
'Last Templar' goes lame
NBC kicks off a two-night miniseries Sunday that you just wish was better. It's called "The Last Templar" (at 9 on Channel 4, concluding Monday at 9) and is supposed to be a cross between "National Treasure" and "The Da Vinci Code."
It's not horrible, at least not at first. It starts with a couple good moments and the occasional bit of wit. Stars Mira Sorvino (as the relentless and plucky archaeologist, Tess) and Scott Foley (as the contained but steadfast FBI agent, Sean) provide as much charm as they can, considering the material.
But mostly it's too slow and too stale, then toward the end turns totally silly in a bad way. The film has enough plot for a two-hour movie, but it got stretched to two nights to be an "event," and you can see the hamburger helper throughout the thing.
Another problem is that we've been here before. Free swinging archaeologists, unimaginable treasures, ruthless bad guys, ties to early religion, the debate between faith and science. They're so chronic in movie plots, you almost forget that "Raiders of the Lost Ark" was wildly original at the time.
TNT's slightly goofy series of films about "The Librarian" is how you handle that overload. Don't take it seriously. Play it a bit goofy. "The Last Templar" should have winked to viewers -- and it almost does early on -- but instead turns way too severe while keeping the action somewhere between bland and ridiculous.
It starts with good pacing and some spunk. Four horsemen, dressed as Templar Knights -- an order that defended Christianity in the Middle Ages -- storm a society event at a New York museum and steal valuable artifacts, including a device that, of course, may be the key to the lost and mysterious Templar treasure.
So we're off on global adventure, with Tess and Sean teaming reluctantly after some bickering. Then things sloooooww down, start to lose logical progress, turn increasingly preposterous and, by the last half-hour, make the movie feel like it was written by fourth-graders. No offense, kids. When it's over, you'll be embarrassed for them all.
Rick Kushman is television columnist for The Sacramento Bee.